<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Post no. 3 from Guest Blogger Marcella Durand</title>
	<atom:link href="http://poetryproject.org/project-blog/post-no-3-from-guest-blogger-marcella-durand.html/feed" rel="self" type="application/rss+xml" />
	<link>http://poetryproject.org/project-blog/post-no-3-from-guest-blogger-marcella-durand.html</link>
	<description>The Poetry Project burns like red hot coal in New York&#039;s snow. -Allen Ginsberg</description>
	<lastBuildDate>Thu, 26 Apr 2012 19:59:36 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.2</generator>
	<item>
		<title>By: Matthew C. Kriner</title>
		<link>http://poetryproject.org/project-blog/post-no-3-from-guest-blogger-marcella-durand.html/comment-page-1#comment-998</link>
		<dc:creator>Matthew C. Kriner</dc:creator>
		<pubDate>Mon, 29 Mar 2010 21:10:54 +0000</pubDate>
		<guid isPermaLink="false">http://poetryproject.org/?p=2100#comment-998</guid>
		<description>Great. Now i can say thank you</description>
		<content:encoded><![CDATA[<p>Great. Now i can say thank you</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: vigo</title>
		<link>http://poetryproject.org/project-blog/post-no-3-from-guest-blogger-marcella-durand.html/comment-page-1#comment-588</link>
		<dc:creator>vigo</dc:creator>
		<pubDate>Thu, 04 Feb 2010 20:59:45 +0000</pubDate>
		<guid isPermaLink="false">http://poetryproject.org/?p=2100#comment-588</guid>
		<description>I said &#039;the individual&#039; but more - a kiss, or gesture, or a memory not explicity specified but full of resonance.</description>
		<content:encoded><![CDATA[<p>I said &#8216;the individual&#8217; but more &#8211; a kiss, or gesture, or a memory not explicity specified but full of resonance.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: vigo</title>
		<link>http://poetryproject.org/project-blog/post-no-3-from-guest-blogger-marcella-durand.html/comment-page-1#comment-587</link>
		<dc:creator>vigo</dc:creator>
		<pubDate>Thu, 04 Feb 2010 20:53:19 +0000</pubDate>
		<guid isPermaLink="false">http://poetryproject.org/?p=2100#comment-587</guid>
		<description>I suppose (as you started with the Beach Boys) re:

&#039;I like to see what pops philosophically and maybe even sonically when two opposites exist at the same time in a line&#039;

with another reference to music - you will get &#039;Joy Division&#039; - itself a contradiction based on the term used by Nazis in the concentration camps) a collision of opposites (cruelty/kindness, light/darkness )ideas where a contemplation of a microcosm expands into observations on wider greater (?) historical events and into metaphysical and philosophical concepts. Sonically the instruments of JD sound like wails/heartbeats but are, at the same time, intensely musical. The lyrics of Ian Curtis are profoundly moving and complex - although the weight of observations of great atrocity are there, the counterpoint then becomes heightened as a result e.g. the individual; and the lasting impression is one of vulnerability, tenderness, compassion and austere beauty. Listen to &#039;Heart and Soul&#039; on youtube and see if you can work out the meaning of the lyrics.
Interesting comments you made  - and I am looking forward to reading your poetry</description>
		<content:encoded><![CDATA[<p>I suppose (as you started with the Beach Boys) re:</p>
<p>&#8216;I like to see what pops philosophically and maybe even sonically when two opposites exist at the same time in a line&#8217;</p>
<p>with another reference to music &#8211; you will get &#8216;Joy Division&#8217; &#8211; itself a contradiction based on the term used by Nazis in the concentration camps) a collision of opposites (cruelty/kindness, light/darkness )ideas where a contemplation of a microcosm expands into observations on wider greater (?) historical events and into metaphysical and philosophical concepts. Sonically the instruments of JD sound like wails/heartbeats but are, at the same time, intensely musical. The lyrics of Ian Curtis are profoundly moving and complex &#8211; although the weight of observations of great atrocity are there, the counterpoint then becomes heightened as a result e.g. the individual; and the lasting impression is one of vulnerability, tenderness, compassion and austere beauty. Listen to &#8216;Heart and Soul&#8217; on youtube and see if you can work out the meaning of the lyrics.<br />
Interesting comments you made  &#8211; and I am looking forward to reading your poetry</p>
]]></content:encoded>
	</item>
</channel>
</rss>

