• Alan Davies, Poetry for the Next Society Symposium - Photo credit: Laure Leber, 1990

    Alan Davies, Poetry for the Next Society Symposium - Photo credit: Laure Leber, 1990

  • Cecilia Vicuña - Photo Credit: Laure Leber

    Cecilia Vicuña - Photo Credit: Laure Leber

  • John Giorno - Photo credit: Sarah Wells, 1981

    John Giorno - Photo credit: Sarah Wells, 1981

  • Pedro Pietri - Photo credit: Jacob Burckhardt, 1991

    Pedro Pietri - Photo credit: Jacob Burckhardt, 1991

  • Yoshiko Chuma - Photo Credit: Melissa Zexter, 1995

    Yoshiko Chuma - Photo Credit: Melissa Zexter, 1995

  • Tracie Morris & Vernon Reid - Photo Credit: Melissa Zexter, 1998

    Tracie Morris & Vernon Reid - Photo Credit: Melissa Zexter, 1998

  • John Ashbery & Kenneth Koch - Photo credit: Laure Leber

    John Ashbery & Kenneth Koch - Photo credit: Laure Leber

  • Barrett Watten, Poetry for the Next Society Symposium - Photo credit: Laure Leber, 1990

    Barrett Watten, Poetry for the Next Society Symposium - Photo credit: Laure Leber, 1990

  • Brenda Coultas - Photo Credit: Melissa Zexter, 1996

    Brenda Coultas - Photo Credit: Melissa Zexter, 1996

  • Lorenzo Thomas, Ray di Palma, Gary Lenhart, Diane di Prima, Lorna Smedman - Photo credit: Laure Leber

    Lorenzo Thomas, Ray di Palma, Gary Lenhart, Diane di Prima, Lorna Smedman - Photo credit: Laure Leber

  • Simon Pettet - Photo credit: Jacob Burckhardt, 1990

    Simon Pettet - Photo credit: Jacob Burckhardt, 1990

  • Jim Carroll - Photo Credit: Melissa Zexter, 1998

    Jim Carroll - Photo Credit: Melissa Zexter, 1998

  • Amiri Baraka

    Amiri Baraka

  • Allen Ginsberg, Anne Waldman & Robert Creeley

    Allen Ginsberg, Anne Waldman & Robert Creeley

  • Taylor Mead - Photo credit: Jacob Burckhardt, 1993

    Taylor Mead - Photo credit: Jacob Burckhardt, 1993

  • Thomas Sayers Ellis, 1995 - Photo Credit: Melissa Zexter

    Thomas Sayers Ellis, 1995 - Photo Credit: Melissa Zexter

  • Miguel Algarín - Photo credit: Jacob Burckhardt, 1990

    Miguel Algarín - Photo credit: Jacob Burckhardt, 1990

  • Kenneth Koch & Allen Ginsberg post-fire Parish Hall, 1979

    Kenneth Koch & Allen Ginsberg post-fire Parish Hall, 1979

  • Nicanor Parra & Allen Ginsberg - Photo credit: Vivian Selbo, 1987

    Nicanor Parra & Allen Ginsberg - Photo credit: Vivian Selbo, 1987

  • Charles Bernstein, Poetry for the Next Society Symposium - Photo credit: Laure Leber, 1990

    Charles Bernstein, Poetry for the Next Society Symposium - Photo credit: Laure Leber, 1990

  • Lee Ann Brown & Bernadette Mayer - Photo credit: Jacob Burckhardt, 1993

    Lee Ann Brown & Bernadette Mayer - Photo credit: Jacob Burckhardt, 1993

  • Photo credit: Jacob Burckhardt, 1986

    Photo credit: Jacob Burckhardt, 1986

  • Alice Notley, 1989

    Alice Notley, 1989

  • Ed Sanders, Anne Waldman, Bob Rosenthal, Judith Malina, Hanon Reznikov & Ed Friedman - Photo credit: Laure Leber, ca 1997-98

    Ed Sanders, Anne Waldman, Bob Rosenthal, Judith Malina, Hanon Reznikov & Ed Friedman - Photo credit: Laure Leber, ca 1997-98

  • Ann Lauterbach, Poetry for the Next Society Symposium - Photo credit: Laure Leber, 1990

    Ann Lauterbach, Poetry for the Next Society Symposium - Photo credit: Laure Leber, 1990

  • Kenward Elmslie, Steven Taylor - Photo credit: Laure Leber

    Kenward Elmslie, Steven Taylor - Photo credit: Laure Leber

  • James Schulyer, Poetry for the Next Society Symposium - Photo credit: Laure Leber, 1990

    James Schulyer, Poetry for the Next Society Symposium - Photo credit: Laure Leber, 1990

Visit the Poetry Project Photo Archive

The Poetry Project is one of a kind. Although there are cultural houses in Europe and other venues for poetry, none have the scope and the prestige of the Poetry Project. Here, in Paris, for example, we receive its newsletter and follow its activities. The French poets are themselves very eager to know what goes on in American poetry through the activities  of the “Project” which is more than a gathering place and is rather an active participant in a field whose importance is well known through the intellectual circles of the whole world. American poetry is at its most creative phase. It is the most important poetic movement we know of, and its direct influence on poets everywhere is a fact that gives us the responsibility to keep an organization like the Poetry Project alive, and even expanding.

—Etel Adnan

From the Project Blog

from THE BOOK OF MUD by Ren Evans

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RE_photoRen Evans
is a writer and teacher living in Brooklyn. Ren publishes the bi-annual comic book series The Secret Life and was co-founder and editor of the online multi-media and literary journal Digital Artifact. Ren received an MFA in fiction from Bard College and has taught creative writing and bookmaking in San Francisco and Providence.  Currently, Ren is at work on a novella entitled The Book of Mud

 

“Attendant” by Peter Richards

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authoruphotopoetryprojectPeter Richards is the author of OUBLIETTE (Verse Press/Wave Books, 2001); NUDE SIREN (Verse Press/Wave Books, 2003); and HELSINKI (Action Books, 2011).

 

 

 

 

 

from “Postscript: A Short Film on Fascism” by Nathanaël

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NathanaelThe (self-)translating author of more than twenty books, Nathanaël writes in English and French. Her recent works include an essay on untranslatability, Sotto l’immagine (2014), the bilingual score, Sisyphus, Outdone. Theatres of the Catastrophal (2012) and the book of polylingual talks, Asclepias: The Milkweeds (2015). The essay of correspondence,Absence Where As (Claude Cahun and the Unopened Book) (2009) was first published in French as L’absence au lieu (2006). Nathanaël’s work has been translated into Basque, Greek, Slovene, Spanish (Mexico), with book-length publications in Bulgarian and Portuguese (Brazil), including the imminent Cadernos do meio, after a cycle of French carnets, following their English-language iteration, The Middle Notebookes (2015). Nathanaël’s extrinsic translations include works by Édouard Glissant, Catherine Mavrikakis, Danielle Collobert, Hervé Guibert and Hilda Hilst (the latter in collaboration with Rachel Gontijo Araújo). She has also translated a number of poets from the Americas into French, including Trish Salah, John Keene and Rachel Gontijo Araújo. The recipient of the Prix Alain- Grandbois, for …s’arrête? Je, Nathanaël’s translation of Murder by Danielle Collobert was a finalist for a Best Translated Book Award. Her translation of The Mausoleum of Lovers by Hervé Guibert was recognized by fellowships from the PEN American Center and the Centre National du Livre de France. Having permanently relinquished her prior names (Nathalie and Stephens), Nathanaël lives in Chicago.

Read more in the Project Blog →